“I love music that makes you feel something. A smile, a memory, nostalgia, an energy rush. I find this music and share it with everyone. I want to make you smile, tap your feet, bop your head, dance.”
NTRIK is an experienced music professional with 20 years under his belt producing music, DJing, mastering, arranging & mixing music for clients across the globe.
Creatively working from his compact home studio in Coventry, UK, NTRIK produces modern electronic Dance & House music with strong 70s & 80s influences. He works entirely ‘in-the-box’ & strives to get a rich, warm & full sound that has impact & a liveliness that grabs interest quickly.
He has worked with top 10 charting singers & bands, remixed for legendary & award-winning producers & released music with globally-recognised artists signed to major labels.
sounds
Modern, funky, emotive, summery, nostalgic, upbeat, positive, sophisticated, accessible, musical & danceable. Sometimes deep, melancholic, reflective, sincere, Balearic, driving. Fitting for beaches, BBQs, get-togethers with friends, bars, pool parties & clubs.
Streaming playlists and DJ charts no longer compete, they collaborate to shape 2025’s dancefloor taste, blending massive reach with club credibility and driving tracks from basement sets to mainstream hits.
Unlock 10 deep cuts for afterhours sets that transform late-night sessions into unforgettable journeys, blending subtle groove with emotional storytelling and crowd connection.
From hybrid human-AI sets to autonomous nights, AI DJs are changing club culture. This piece explores how real-time remixing and data-driven vibes could redefine the dance floor.
From purple disco machines to Peggy Gou remixes, these 12 disco-house hybrids prove that smart sequencing and nostalgia can ignite any dancefloor, anywhere, anytime.
It’s very rare that I post anything political. But this is worth bringing to everyone’s attraction. Could ‘Turn It Up’ be what we all have been wanting to see for the music industry? Could it save it? Let’s get to it. It has been a rough few years for the UK music scene. If you are out behind the decks,
We’ve all been there. You’ve been staring at the same 8-bar loop for three hours. You’ve stacked twelve plugins on a single vocal track, tweaked the threshold by 0.1 dB, and bypassed the EQ fifty times. And yet, the track somehow sounds worse than when you started. That is choice paralysis, and it is the absolute death of creative momentum.
